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  • EarthQuaker Devices Plumes
    EarthQuaker Devices Plumes

    Low bis Medium Gain Overdrive Effektpedal, Innovative Weiterentwicklung des legendären grünen Overdrive Pedals, 3 wählbare Clipping-Modi (Symmetrisch LED, Asymmetrisch Silizium, No Diode OpAmp Drive), Verbesserter Arbeitsbereich des Tone-Reglers, Harmoniert mit E-Gitarren, Bässen und Synthies, Geräuschlose relais-basierte Soft-Touch Schaltung funktioniert als Latching und Momentary Schalter,

    Preis: 130.00 € | Versand*: 0.00 €
  • Earthquaker Devices Hoof Fuzz
    Earthquaker Devices Hoof Fuzz

    Hoof Fuzz Der Hoof ist ein einfach zu bedienendes Gerät, das in der Lage ist, Geräusche von warmen, erdigen Overdrive bis hin zu einem tragenden F uzz zu erzeugen . Es ist ein Germanium / Silizium- Hybrid- Muff Fuzz- Stil (basierend auf dem alten grünen russischen Muff ). Es verfügt über eine strafferen , sauberen Klang als die meisten der aktuellen Muffs . Hoof Fuzz The Hoof is a no-fuss, easy to use device capable of sounds from warm, gritty overdrive to a huge sustaining fuzz. It's a germanium/silicon hybrid muff style fuzz (based on the old green russian muff) with massive amounts of volume on tap and smooth amp-like sustain. It has a tighter, cleaner sound than most muff's which makes it more cutting and discernible in a band setting. The shift control changes the frequency response of the tone control, mainly on the treble side (but takes out the mud on the bass side). Clockwise scoops the mids and counterclockwise enhances the mids. When the shift control is set dead center it has roughly the same frequency response as the original 3 knob hoof (almost flat) . * There is no audible difference between the hoof pictured and the previous gold box version. The circuit is EXACTLY the same. Measures 4 5/8 x 2 1/2" x 2.25" with knobs Power 9v Battery or any standard 9 volt DC power supply with a negative center 2.1mm barrel. Controls: Fuzz Tone Level Shift (mids) "

    Preis: 199.00 € | Versand*: 0.00 €
  • WMD Devices Arcane Preamp
    WMD Devices Arcane Preamp

    Der Arcane Preamp von WMD ist ein zweistufiges Booster/Fuzz Pedal mit Dreiband-Klangregelung. The WMD Arcane Preamp is a two channel true bypass pedal. The first channel is a medium gain boost that adds a little bit of sparkle and breaks up into a soft overdrive when hit hard. The right footswitch activates the high gain fuzz channel which is fed by the boost and can provide hot lead tones or maximally crunched fuzz. A three band tone stack allows you to sculpt the fuzz tone into just what you want. Click for sound samples. The Controls Left Stomp - This foot switch bypasses or activates the pedal. The Arcane Preamp is wired true bypass, so it won't affect your tone when disengaged. When engaged the blue LED on the left side will be lit. Right Stomp - This foot switch selects the channel. The indicator for the channel select is under the fuzz channel tone controls. The LED will be lit when fuzz channel is active. Boost Gain - The leftmost knob controls the gain of the boost channel. This will add a bit of sparkle and clean gain at medium levels. Crank it to get soft clipping and lots of volume. Boost Level - This controls the output of the boost channel, setting ratios of the gain and level will allow more gain and overdrive without too much level. Or medium gain and maxed level for a big clean boost. Fuzz Gain - When the fuzz channel is engaged, it follows the boost channel. This knob takes the output of the boost and adjusts the level going into the fuzz. This channel has a boatload of gain. Low to medium levels provide touch sensitive distortion, crank it much past half and it starts to crunch. The fuzz channel can provide killer sounding feedback. Bass, Mids, Treble - The amp style tone stack is broken into three bands. Use it to sculpt your fuzz tone. The treble control is very sensitive around the middle with a ton of variation in sound. Fuzz Level - Since the tone stack is all passive, the stack feeds a final amplifier which puts out a ton of level. Use this to level your fuzz tone with the boost tone or to drive your amp's input stage to hell. Battery & 9VDC jack - Use a standard 9V battery inside the pedal for many hours of life, or use a BOSS style power plug (center negative) to power the Arcane Preamp. Warranty - All WMD pedals are warranted against manufacturer defects for one year from date of purchase. Contact WMD if you have any problems. Manual - Click here for the manual. The Arcane Preamp has been reviewed by Premier guitar, check it out . Sound Samples

    Preis: 209.00 € | Versand*: 0.00 €
  • EarthQuaker Devices Levitation Reverb
    EarthQuaker Devices Levitation Reverb

    Effekt-Typ: Reverb Bauart: Digital Mono/Stereo: Mono In, Mono Out Regler: Atmosphere, Decay, Mix, Tone Modes: Length (Short/Long) Schalter: Bypass, Mode Bypass Modus: True Bypass Lieferumfang: Netzteil optional Stromversorgung: 9VDC, Center negative Stromverbrauch: 50mA Batteriebetrieb: Batteriebetrieb möglich Batterie-Typ: 9V Block Gehäuseformat: Standard Abmessungen BxHxT (cm): 6,5 x 4,2 x 12,1 Produktionsland: Made in USA Length (Toggle): Broad stroke control for decay time. Shorter to left, longer to the rightDecay: Controls the length of the reverb decay. Longer clockwise, shorter counter clockwiseAtmosphere: This is a harmonic regeneration control, it feeds the upper frequencies of the reverb trails back through to create a more harmonic (ringing) reverb (more atmosphere clockwise, less counter clockwise)Mix: This controls how much wet signal is blended in with the dry (more reverb clockwise, less counter cloc Introducing the Levitation reverb, a pedal designed by EarthQuaker Devices in conjunction with the LEVITATION music festival! LEVITATION, founded as Austin Psych Fest in 2008, has become a way to honor and preserve Austin’s psychedelic rock heritage, and carry it into the future. We wanted to remain true to the theme ofLEVITATION and decided to do a variation on our popular Ghost Echo pedal to honor the reverb-drenched tones synonymous with classic psych rock. The Levitation Reverb builds on the base sound found in the Ghost Echo but does away with the attack and dwell and adds control over tone, decay, atmosphere and length in their place. It is a vintage voiced reverb that aims to fit somewhere between dirty sixties chambers, classic spring, and the big, ringing plate reverbs of days gone by. Four knobs and one switch control quite a bit more than you’d expect. Want a slap back small room sound? Set all of your controls to the minimum and use the mix to dial in the sound of room devoid of anything but a guitar and amp. Want to revel in infinite spatial oscillations? Flip the toggle to long, turn up the atmosphere and decay then tune out. Dial in a bright chiming slap back by turning the tone all the way counter clockwise and reducing the decay. For a rattling, full-bandwidth assault, dime everything and let ‘er rip. Each Levitation Reverb is built entirely by hand in Akron, Ohio by EarthQuaker Devices. It will be officially released at LEVITATION on May 8th, 2015 and available at the merchandise booth all weekend. More about LEVITATION Controls Length (Toggle): Broad stroke control for decay time. Shorter to left, longer to the right. Decay: Controls the length of the reverb decay. Longer clockwise, shorter counter clockwise. Atmosphere: This is a harmonic regeneration control, it feeds the upper frequencies of the reverb trails back through to create a more harmonic (ringing) reverb. More atmosphere clockwise, less counter clockwise. Mix: This controls how much wet signal is blended in with the dry. More reverb clockwise, less counter clockwise. Tone: This is an input bandwidth control for the reverberated signal. All the way counter clockwise reduces all low end content to make a brighter reverb, turning counter clockwise allows more low end to pass through resulting in a fuller reverberated tone. The Levitation Reverb is True Bypass. Input impedance: 1M Output impedance: >1K Measures 4 5/8? x 2 1/2? x 2.25? with knobs Power Our pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages! Current draw is 50 mA.

    Preis: 223.00 € | Versand*: 0.00 €
  • Ist es schwer, "The Infernal Devices" auf Englisch zu lesen?

    Es hängt von deinem Sprachniveau ab. Wenn du bereits fortgeschritten in Englisch bist, sollte es nicht allzu schwer sein, "The Infernal Devices" zu lesen. Die Sprache ist relativ zugänglich und die Geschichte ist fesselnd, was das Lesen erleichtert. Es könnte jedoch einige unbekannte Vokabeln oder komplexe Sätze geben, die dich herausfordern könnten.

  • Sollte man zuerst The Mortal Instruments oder The Infernal Devices lesen?

    Es wird empfohlen, zuerst The Mortal Instruments zu lesen, da diese Reihe chronologisch vor The Infernal Devices spielt. Durch das Lesen von The Mortal Instruments erhält man einen besseren Einblick in die Welt der Schattenjäger und die Hintergrundgeschichte, die in The Infernal Devices weiter vertieft wird. Außerdem gibt es in The Mortal Instruments einige Verweise und Verbindungen zu The Infernal Devices, die man besser versteht, wenn man sie zuerst liest.

  • Was ist der Unterschied zwischen Naturschutz und Umweltschutz?

    Was ist der Unterschied zwischen Naturschutz und Umweltschutz? Naturschutz bezieht sich hauptsächlich auf den Schutz von natürlichen Lebensräumen, Arten und Ökosystemen, während Umweltschutz sich auf den Schutz der Umwelt im Allgemeinen konzentriert, einschließlich Luft, Wasser und Boden. Naturschutz zielt darauf ab, die biologische Vielfalt zu erhalten und die natürlichen Ressourcen zu schützen, während Umweltschutz sich auch mit menschlichen Aktivitäten befasst, die die Umwelt beeinflussen. Beide Konzepte sind eng miteinander verbunden und ergänzen sich, um eine nachhaltige und gesunde Umwelt für zukünftige Generationen zu gewährleisten.

  • Was ist der Unterschied zwischen Umweltschutz, Klimaschutz und Naturschutz?

    Umweltschutz bezieht sich auf den Schutz der gesamten Umwelt, einschließlich Luft, Wasser, Boden und natürlicher Ressourcen. Klimaschutz konzentriert sich speziell auf Maßnahmen zur Reduzierung von Treibhausgasemissionen und zur Bekämpfung des Klimawandels. Naturschutz bezieht sich auf den Schutz von natürlichen Lebensräumen, Artenvielfalt und Ökosystemen. Während alle drei Konzepte miteinander verbunden sind und sich gegenseitig unterstützen, haben sie unterschiedliche Schwerpunkte und Ziele.

Ähnliche Suchbegriffe für Devices:


  • Pflanzen Vogelschutznetz Gemüse Garten Bauernhof Lieferungen Schutznetz Pflanzenschutz Schädlingsbekämpfung 1x5m
    Pflanzen Vogelschutznetz Gemüse Garten Bauernhof Lieferungen Schutznetz Pflanzenschutz Schädlingsbekämpfung 1x5m

    Etikette:Jawohl Art: Schutznetz Gewicht: 20 Gramm pro Quadratmeter Für dich: als Bild Öffnung: 60 Mesh Material: Polyethylen Breite:1/2/2,5 m Farbe: Weiß Lieferinhalt: 1 Stück Schutznetz Länge: 5/6/10m Verpackung: opp Beutel

    Preis: 9.29 € | Versand*: 0.0 €
  • Earthquaker Devices Sea Machine Chorus
    Earthquaker Devices Sea Machine Chorus

    Sea Machine Chorus Die Sea Machine ist ein Chorus Pedal mit ultimative Kontrolle über die Parameter . Ein Hybrid aus digitalen und analogen Schaltungen mit einer etwas längeren Verzögerungszeit. FÄÄunzt auch mit 12 Volt und klingt dann noch besser! The Sea Machine is a chorus pedal with ultimate control over parameters rarely, if ever, seen in a chorus before. A hybrid of digital and analog circuitry with a slightly extended delay time allows it to really stand out and shimmer. Subtle warble, classic leslie, sea sick pitch bends, strangled aliens, stunted arpeggiations... there is something for everyone in the Sea Machine. Designed to work well following fuzz, distortion or overdrive without getting muddy, loss of volume or breaking up (the Sea Machine has excellent headroom at both 9 & 12 volts). When engaged, the transparent buffer leaves the all analog dry signal unaltered and crystal clear. It can be powered from 9-12v DC, higher voltage yields a more intense modulation, slightly longer delay time with more chime and dimension. The Sea Machine is true bypass and made by human hands with the highest quality parts in lovely Akron Ohio. Controls Rate: Speed of the LFO. • Shape: From soft triangle through hard square wave. Dimension: Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance at max. Intensity: How much the LFO modulates the delay time Animate: How far the pitch shifted signal swings, lower levels equals a tighter and more focused shift à la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge. Depth: How much modulated signal is blended in with the dry signal. Measures 4.7 x 3.7" x 2.25" with controls Power Any standard regulated 9-12 volt power supply with a negative center 2.1mm barrel. Do not run at higher voltages! Does not use batteries. Current draw is around 100ma. "

    Preis: 229.00 € | Versand*: 0.00 €
  • Krozz Devices Hammerhead Compressor Pedal
    Krozz Devices Hammerhead Compressor Pedal

    HAMMERHEAD COMPRESSOR Hammehead is a Compressor/Clean Boost/Tone Shaper, a versatile pedal capable of adapting to the high pressures of the seas of music to generate beautiful timbres and perform powerful attacks! Featuring a VCA (Voltage Controlled Amplifier) compression system, Hammerhead lets you replicate the classic tones of the DynaComp/Ross Compressor, as well as creating new textures with its additional controls. With Blend it is possible to mix the clean sound of your instrument with the compression generated by our hammerhead shark, or even transform your pedal into a beautiful Clean Boost, since the pedal has an active circuit for this control. The Filter and Voice parameters provide a wide range of equalizations for the pedal, allowing its use as a Tone Shaper and making it pleasant for both lovers of “pop” sounds and those hungry for “greasy” sounds. Controls: • Pressure: This control determines the level of pedal compression. The higher the knob, the greater the compression caused on the signal; • Attack: Adjusts the speed at which the effect will act on your notes. Clockwise the response time is longer, being more ideal for rhythmic grips. Counter-clockwise, there is a more immediate compression, being a more suitable configuration for leads. • Blend: Allows you to blend the clean sound of your instrument with the signal compressed by the pedal. With this parameter fully closed (counter-clockwise), only the compressed signal will pass. When the control is fully open (clockwise), it will make your pedal act as a Clean Boost, without any compression effect, suffering only the action of the Volume. In the middle, the effect and clean sound are in a 50/50 ratio. • Filter: This control is a frequency filter that acts on the signal before it enters the compression system. At lower settings, we have less treble frequencies and more “closed” sound, while clowise we have more treblish sounds. • Voice (Switch): It is also a frequency filter, but it acts within the compression system. - UP: “Normal” mode, sound more similar to the original signal; - MID: “Bright” mode, sharper sound; - LOW: “Dark” mode, jazzy sound; • Level: Controls the pedal output volume. By means of this knob it is possible to compensate for the signal differences caused by any change in the other controls. • Clipping (Trimpot): In addition to all the parameters that the pedal offers, our Hammerhead has a “hidden” adjustment inside, the Clipping. This control works by limiting the amount of signal that will enter the compression system, allowing you to use your pedal with high-output instruments without distortion, such as active pickup guitars and basses, keyboards, etc. Keep it fully clockwise for guitars with conventional pickups. For high-output instruments, adjust it until there is no distortion from the compressor.

    Preis: 239.00 € | Versand*: 0.00 €
  • WMD Devices Utility Noise Gate
    WMD Devices Utility Noise Gate

    The WMD Utility series is a low cost handmade line of effects designed to fulfill specific needs of players. These pedals are tools to help you focus and shape your sound. They are transparent and easy to use, yet powerful. The Utility Noise Gate This pedal combines a traditional noise gate with an effects loop. This setup allows you to put pedals inside the loop and have them not affect the way that the gate responds. Of course, you can use the gate like any noise gate as the send and return are internally normalled to eachother. Stomp Switch - This footswitch activates the effects loop and gate. The center LED will be lit when the pedal is engaged. Gate Threshold - This sets the level at which the gate will start to open. The LED under the Threshold will be lit when the gate is open. Level - This allows you to get a little boost from the noise gate if you'd like. The volume varies with the power supply voltage. Use this to get the right volume. Send - This sends an un-gated signal (buffered from the input jack) out to a loop of pedals. Hook this to the input of a fuzz or distortion or whatever you'd like to gate. Return - Plug the output of your last pedal into this. This is the signal that will be run through the gate and out the Out" jack on the Utility Noise Gate. If nothing is plugged into this jack, the dry signal from the input jack will be used and gated. How the Loop Works - No matter what level you have things set to inside your loop, the noise gate will respond the same. You'll want to plug your guitar into the input jack of the noise gate before any other pedals, or immediately after a distortion that you don't tweak much. This allows you to get absurd amounts of gain without noise on the output. "

    Preis: 169.00 € | Versand*: 0.00 €
  • Wie kann der Einsatz von natürlichen Feinden zur Schädlingsbekämpfung im Pflanzenschutz optimiert werden?

    Der Einsatz von natürlichen Feinden kann optimiert werden, indem man die richtigen Arten für die jeweiligen Schädlinge auswählt. Zudem ist es wichtig, die natürlichen Feinde gezielt anzusiedeln und zu fördern, z.B. durch das Anlegen von Nist- und Überwinterungshilfen. Eine nachhaltige Bewirtschaftung und der Verzicht auf chemische Pestizide sind ebenfalls entscheidend, um das Gleichgewicht im Ökosystem zu erhalten.

  • Wie kann der Einsatz von natürlichen Feinden zur Schädlingsbekämpfung im Pflanzenschutz effektiv genutzt werden?

    Der Einsatz von natürlichen Feinden wie Nützlingen oder Raubinsekten kann dazu beitragen, Schädlinge auf natürliche Weise zu kontrollieren. Durch gezielte Freilassung oder Förderung der Ansiedlung von natürlichen Feinden können Schädlingspopulationen reduziert werden. Eine nachhaltige und umweltfreundliche Schädlingsbekämpfung kann so erreicht werden.

  • Was sind die wichtigsten Eigenschaften, die ein Schutzzaun haben sollte, um eine sichere Abgrenzung zu gewährleisten?

    Ein Schutzzaun sollte stabil und robust sein, um unerlaubtes Eindringen zu verhindern. Er sollte eine ausreichende Höhe haben, um ein Überklettern zu erschweren. Zudem sollte er gut sichtbar sein, um potenzielle Eindringlinge abzuschrecken.

  • Welche natürlichen Methoden können zur Schädlingsbekämpfung im Garten eingesetzt werden, um den Pflanzenschutz zu gewährleisten?

    1. Nützlinge wie Marienkäfer, Schlupfwespen und Laufkäfer können eingesetzt werden, um Schädlinge wie Blattläuse und Raupen zu bekämpfen. 2. Pflanzen wie Ringelblumen, Lavendel und Knoblauch können als natürliche Abwehrmittel gegen Schädlinge im Garten dienen. 3. Auch das regelmäßige Entfernen von befallenen Pflanzenteilen und das Mulchen des Bodens können helfen, Schädlinge zu reduzieren.

* Alle Preise verstehen sich inklusive der gesetzlichen Mehrwertsteuer und ggf. zuzüglich Versandkosten. Die Angebotsinformationen basieren auf den Angaben des jeweiligen Shops und werden über automatisierte Prozesse aktualisiert. Eine Aktualisierung in Echtzeit findet nicht statt, so dass es im Einzelfall zu Abweichungen kommen kann.